Postmodern gargoyles, simulated power aesthetics

被引：1

作者：

Kien, Grant ^{[1
]}

机构：

[1] Univ Illinois, Inst Commun Res, Urbana, IL 61801 USA

来源：

QUALITATIVE INQUIRY | 2006年 / 12卷 / 04期

关键词：

surveillance technology; aesthetics; power; panopticism; simula-cra; everyday life;

D O I：

10.1177/1077800406286232

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

This work incorporates a camera as participant in the showing of experiences of surveillance, exploring some effects of defining power as the circulation of signifiers. This techno-ethnographic piece moves through numerous spaces, documenting how myth and aesthetics are experienced and play in everyday life, inducing performances that ultimately appear to stabilize and further legitimate a globally reaching network of surveillance.

引用

页码：681 / 703

页数：23

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