Postmodern gargoyles, simulated power aesthetics

被引：1
|
作者：
Kien, Grant [1 ]
机构：
[1] Univ Illinois, Inst Commun Res, Urbana, IL 61801 USA
来源：
QUALITATIVE INQUIRY | 2006年 / 12卷 / 04期
关键词：
surveillance technology; aesthetics; power; panopticism; simula-cra; everyday life;
D O I：
10.1177/1077800406286232
中图分类号：
C [社会科学总论];
学科分类号：
03 ; 0303 ;
摘要：
This work incorporates a camera as participant in the showing of experiences of surveillance, exploring some effects of defining power as the circulation of signifiers. This techno-ethnographic piece moves through numerous spaces, documenting how myth and aesthetics are experienced and play in everyday life, inducing performances that ultimately appear to stabilize and further legitimate a globally reaching network of surveillance.
引用
收藏
页码：681 / 703
页数：23
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