THE PURELY INTENTIONAL OBJECT AND THE CONCRETIZATION IN THE PROPOSAL OF ROMAN INGARDEN

被引：0
|
作者：
Tornero, Angelica [1 ]
机构：
[1] Univ Autonoma Estado de Morelos, Cuernavaca, Morelos, Mexico
来源：
CAUCE-REVISTA INTERNACIONAL DE FILOLOGIA COMUNICACION Y SUS DIDACTICAS | 2007年 / 30期
关键词：
Literary work of art; phenomenology; concretization;
D O I：
暂无
中图分类号：
H [语言、文字];
学科分类号：
05 ;
摘要：
The primary target of this essay is to emphasize the importance of the ontological and epistemological realms in the phenomenological analysis of the literary work of art developed by the Polish philosopher Roman Ingarden. Two fundamental categories lead this analysis: the purely intentional object and the act of concretization. In order to analyze the discussion, it is intended to offer to the reader a broader exhibition of the notion of purely intentional object, trying to deepen the link that Ingarden established with Edmmund Husserl's phenomenology. It is also analyzed the concept of concretization and its methodological implications as much for the aesthetic reader as for the scholar interested in literary issues.
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页码：447 / 472
页数：26
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