The purpose of this study is to explore, using a musical metaphor, the consonance, counterpoint, dissonance, and resonance of a large-scale multicultural teacher education program. In particular, it examines the different instructional approaches of seven graduate students and two faculty who currently teach an undergraduate multicultural education course at a large midwestern university. By combining a theoretical framework (Bennett, 2010) with a musical-analytical approach, the study explores how the interplay of individual voices contributes to a "productive dissonance" that has the potential to transform the overall program.
机构:
Chinese Univ Hong Kong, Fac Educ, Dept Educ Adm & Policy, Shatin, Hong Kong, Peoples R ChinaChinese Univ Hong Kong, Fac Educ, Dept Educ Adm & Policy, Shatin, Hong Kong, Peoples R China
机构:
Univ North Carolina Wilmington, Educ Young Children Program, Early Childhood Educ, Wilmington, NC USAUniv North Carolina Wilmington, Educ Young Children Program, Early Childhood Educ, Wilmington, NC USA
Aldemir, Jale
Kurt, Gokce
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机构:
Inonu Univ, Dept Elementary Educ, Presch Educ, Malatya, TurkeyUniv North Carolina Wilmington, Educ Young Children Program, Early Childhood Educ, Wilmington, NC USA