Iranian cinema

被引：0

作者：

de la Torre Espinosa, Mario ^{[1
,2
]}

机构：

[1] Univ Granada, Granada, Spain

[2] Univ Seville, Seville, Spain

来源：

REVISTA ICONO 14-REVISTA CIENTIFICA DE COMUNICACION Y TECNOLOGIAS | 2014年 / 12卷 / 01期

关键词：

D O I：

10.7195/ri14.v12i1.691

中图分类号：

G2 [信息与知识传播];

学科分类号：

05 ; 0503 ;

摘要：

引用

页码：507 / 509

页数：3

共 50 条

[41] A history of Iranian cinema (1900-1999)
Goudet, S
[J]. POSITIF, 2001, (480): : 12 - 12
[42] Making films with an accent: Iranian emigre cinema
Naficy, H
[J]. CINEASTE, 2006, 31 (03): : 42 - 44
[43] Poetic of the echo. Situation in Iranian cinema
Kausch, Franck
[J]. POSITIF, 2010, (596): : 60 - 63
[44] Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance
Atwood, Blake
[J]. IRANIAN STUDIES, 2022, 55 (04) : 1096 - 1098
[45] 'Friendly Persuasion, Iranian Cinema After the Revolution'
Watson, J
[J]. CINEASTE, 2001, 26 (04): : 96 - 96
[46] The Role of Portrait in Iranian Cinema Posters Design
Keshavarzi, Firouzeh
Adnan, Hamedi Mohd
[J]. INTERNATIONAL CONFERENCE ON COMMUNICATION AND MEDIA 2014 (I-COME'14) - COMMUNICATION, EMPOWERMENT AND GOVERNANCE: THE 21ST CENTURY ENIGMA, 2014, 155 : 460 - 464
[47] Iranian War Cinema: Between Reality and Fiction
Abecassis, Michael
[J]. IRANIAN STUDIES, 2011, 44 (03) : 387 - 394
[48] The new Iranian cinema: Politics, representation and identity
Meisami, JS
[J]. TLS-THE TIMES LITERARY SUPPLEMENT, 2002, (5196): : 34 - 34
[49] Shooting the Isolation and Marginality of Masculinities in Iranian Cinema
Pak-Shiraz, Nacim
[J]. IRANIAN STUDIES, 2017, 50 (06) : 945 - 967
[50] The new Iranian cinema: Politics, representation and identity
Matthews, P
[J]. SIGHT AND SOUND, 2002, 12 (11): : 33 - 33