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- [31] Mnemosyne or the empire of the senses. Literature and image in Almudena Grandes: Malena is a name of tango IBEROAMERICANA, 2007, 7 (27): : 25 - 38
- [32] Critical Review of Almudena Grandes's Las edades de Lulu: For a New Reading as a Bildungsroman CASTILLA-ESTUDIOS DE LITERATURA, 2019, 10 : 126 - 170
- [33] "FOR ME AND FOR THE OTHERS": RESISTANCE, COMMUNITIES AND COMMUNISM IN EPISODIOS DE UNA GUERRA INTERMINABLE BY ALMUDENA GRANDES PASAVENTO-REVISTA DE ESTUDIOS HISPANICOS, 2020, 8 (02): : 499 - 514
- [34] Speak to me, muse, of the woman of great wit. Life and literary trajectory of Almudena Grandes DICENDA-CUADERNOS DE FILOLOGIA HISPANICA, 2024, 42 : 231 - 232
- [35] A mosaic of narratives situated in postwar Spain: Ines y la alegria (2010) by Almudena Grandes TEJUELO-DIDACTICA DE LA LENGUA Y LA LITERATURA, 2012, 15 (01): : 86 - 99
- [36] Eating disorder, gender struggle and instinctual incorporation in Almudena Grandes' Malena, una vida hervida (1996) ARCHIV FUR DAS STUDIUM DER NEUEREN SPRACHEN UND LITERATUREN, 2023, 260 (02): : 345 - 363
- [37] Who said what? Translated messages and language interpreters in three texts by Javier Marias and Almudena Grandes PERSPECTIVES-STUDIES IN TRANSLATION THEORY AND PRACTICE, 2018, 26 (04): : 612 - 623
- [38] Woman and Family in the Literary Works of Doris Lessing and Almudena Grandes (the cases of To Room Nineteen and La buena hija) PHILOLOGICA JASSYENSIA, 2016, 12 (02): : 209 - 219
- [39] Impersonality as an attenuation strategy in the novel El lector de Julio Verne by Almudena Grandes: A German/Spanish contrastive study RILCE-REVISTA DE FILOLOGIA HISPANICA, 2018, 34 (03): : 1243 - 1258