Aesthetics of Stereoscopic Cinema

被引：6

作者：

Flueckiger, Barbara ^{[1
]}

机构：

[1] Univ Zurich, Film Studies, Zurich, Switzerland

来源：

PROJECTIONS-THE JOURNAL FOR MOVIES AND MIND | 2012年 / 6卷 / 01期

关键词：

deep focus; depth of field; negative parallax; positive parallax; stereoscopy; window violation;

D O I：

10.3167/proj.2012.060104

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

Although stereoscopic cinema was invented very early in the history of film, it did not become the standard for cinematic representations. With the latest digital wave of stereoscopic 3D cinema many shortcomings of earlier technologies have been eliminated, but debate remains about the aesthetic principles of stereoscopy. This article explores and evaluates basic approaches to aesthetic design in stereoscopic films.

引用

页码：101 / 122

页数：22

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