"THE LANGUAGE OF PICTURES": VISUAL REPRESENTATION AND SPECTATORSHIP IN PHILIP PULLMAN'S HIS DARK MATERIALS

被引：1

作者：

Greenwell, Amanda M. ^{[1
]}

机构：

[1] Cent Connecticut State Univ, Dept English, New Britain, CT 06050 USA

来源：

STUDIES IN THE NOVEL | 2010年 / 42卷 / 1-2期

关键词：

D O I：

10.1353/sdn.2010.0007

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

[No abstract available]

引用

页码：99 / 120

页数：22

共 45 条

[31] Philip Pullman's His Dark Materials: A Multiple Allegory/Attacking Religious Superstition in The Lion, the Witch and the Wardrobe and Paradise Lost
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[33] Without contraries is no progression: Dust as an all-inclusive, multifunctional metaphor in Philip Pullman's 'His Dark Materials' (Children's literature)
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[36] THE 'GOLDEN COMPASS, HIS DARK MATERIALS', BOOK-1 - PULLMAN,P
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[38] Science in pictures: Visual representation of climate change in Spain's television news
Leon, Bienvenido
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PUBLIC UNDERSTANDING OF SCIENCE, 2015, 24 (02) : 183 - 199
[39] Active Viewership and Ethical Representation Responsible Spectatorship in Alfredo Jaar's "Real Pictures" and Gil Courtemanche's Un dimanche a la piscine a Kigali
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JOURNAL OF FRENCH AND FRANCOPHONE PHILOSOPHY, 2016, 24 (01) : 205 - 223
[40] REN HANG'S PHOTOGRAPHIC WONDERLAND: AN ANALYSIS OF HIS GENDERLESS VISUAL LANGUAGE
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QUINTANA-REVISTA DO DEPARTAMENTO DE HISTORIA DA ARTE, 2021, (20):

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