Reimagining Nashville: The Changing Place of Country

被引:0
|
作者
Leigh Stanton, Aleen [1 ]
Schofield, John [2 ]
机构
[1] Univ York, York, N Yorkshire, England
[2] Univ York, Archaeol, York, N Yorkshire, England
来源
关键词
Country Music; Intangible Cultural Heritage; Built Heritage; Nashville; Glasgow;
D O I
10.1080/17567505.2021.1889090
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
For as long as there has been country music, Nashville has been its spiritual if not actual home. This city of recording studios, rehearsal spaces, music shops and venues is one of a small number of cities associated with a specific music genre and the creative cultures and attention this inevitably attracts. But just as heritage is never fixed and always becoming, Nashville - and the perception of Nashville - is changing, to the point where it may no longer have the primacy it once held. In a globalised music industry where not all country music is from Nashville, nor even the United States, new 'Nashvilles' emerge and grow, commensurate with actual or relative decline in the prominence of the original. This might be considered a heritage dilemma (heritage 'at risk', and a challenge to traditional views on authenticity), but equally the argument can be made for a new heritage replacing or augmenting the old. By considering the city's 'at risk' status, and assessing the fictional representation of a reimagined Nashville in the Scottish city of Glasgow in the 2018 film Wild Rose, we explore this dilemma, and its challenge to heritage convention.
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页码:203 / 221
页数:19
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