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- [41] FEMALE IMAGES IN STORIES BY A. P. CHEKHOV: ROMANTIC TRADITION AND MYTHOPOETIC ASPECTVESTNIK SLAVIANSKIKH KULTUR-BULLETIN OF SLAVIC CULTURES-SCIENTIFIC AND INFORMATIONAL JOURNAL, 2022, 66 : 238 - 254Zavgorodnyaya, Galina Yu.
- [42] Discourse "Declaration of Love": Problem of Automatic Identification (Works of A. P. Chekhov")NAUCHNYI DIALOG, 2021, (07): : 9 - 26Babenko, Ludmila G.Elston-Biron, Alexander, V
- [43] BEHIND THE COUNTER: "OTHER LITERATURE" BY A. P. CHEKHOV IN THE CONTEXT OF SOCIAL HISTORYRUSSKAIA LITERATURA, 2020, (02): : 92 - +Tian Hongmin
- [44] Musicality of Plays by A. P. Chekhov and G. M. MusirepovINTERDISCIPLINARY LITERARY STUDIES, 2023, 25 (02) : 163 - 175Zhumsakbayev, Aman T.Nurgali, Kadisha R.Aimukhambet, Zhanat A.
- [45] Motive components of the concept boredom in the narrative "A Boring Story" by A. P. ChekhovSIBIRSKII FILOLOGICHESKII ZHURNAL, 2014, (02): : 43 - 47Sopova, S. P.
- [46] Doctor Chebutykin and the Editor Suvorin (On the Criptopoetics of Chekhov's "Three Sisters")NOVYI FILOLOGICHESKII VESTNIK-NEW PHILOLOGICAL BULLETIN, 2021, (58): : 142 - 155Kibalnik, S. A.
- [47] The Brontes and Chekhov in Blake Morrison's We Are Three Sisters (2011)BRONTE STUDIES, 2014, 39 : 32 - 41Brown, RichardMorrison, Blake
- [48] READERSHIP PROBLEM IN A. P. CHEKHOV'S EARLY PARODIES (ARABIAN FRIGHTS OR A NIGHT OF HORRORS, FLYING ISLANDS)RUSSKAIA LITERATURA, 2015, (02): : 169 - 175Overina, K. S.
- [49] FEATURES OF IMPLICIT NARRATION IN THE A. P. CHEKHOV'S STORY "A LIVING CHATTEL": CHARACTER TO THE FACE OF THE THREAT OF DISIDENTITYPHILOLOGICAL CLASS, 2018, 53 (03): : 41 - 47Agratin, A. E.
- [50] PRESERVATION OF THE ORIGINAL'S STYLE AS A BASIC PRINCIPLE OF THE TRANSLATION (AS AN EXAMPLE OF THE DRAMA BY A.P. CHEKHOV "THREE SISTERS")YAZYK I KULTURA-LANGUAGE AND CULTURE, 2014, (27): : 4 - 9Adam, E. A.