A drop of water from a stagnant pool? Inter-war detective fiction and the rural community

Detective fiction has been little considered by historians of the British inter-war village. This is despite the phenomenal publishing and sales in this literary genre. Agatha Christie is the best-selling writer of books of all time, and millions of people world-wide have learnt about English villages by reading her. This article discusses why inter-war fiction is instructive to social historians. It concentrates on the so-called 'Golden Age' of this fiction: notably the authors Agatha Christie, Dorothy L. Sayers, Margery Allingham, Ngaio Marsh and G. K. Chesterton. The subject is approached through a number of themes, which address the genre, county house settings, the nature and morphology of the detected village, representations of villagers and the poor, the literary detectives (notably Miss Marple and Lord Peter Wimsey) and their relation to village life, the local role of gossip, depictions of the clergy, the fictional uses of material culture, senses of the past, the detection of 'evil' and issues of inter-war village renewal. A binding strand throughout is how the English village community is handled and interpreted in this fiction. The article argues that the detective genre is important and highly revealing to social and rural historians, and deserves extended analysis.