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- [21] Fashions of being: The representation of 'feminine' identity in O 'Toucador' (Almeida Garrett) COLOQUIO-LETRAS, 1999, (153-54): : 73 - 84
- [22] GARRETT AND THEATER CENSORSHIP + GARRETT,ALMEIDA, ARCHITECT OF REFORM OF PORTUGUESE THEATER AND ITS CHIEF CENSOR - UNPUBLISHED DOCUMENTS OF THE CONSERVATORIO COLOQUIO-LETRAS, 1991, (121-22): : 175 - 180
- [23] Almeida Garrett: An international conference in Coimbra (February 3-5, 1999) COLOQUIO-LETRAS, 1999, (153-54): : 337 - 337
- [24] Legitimizing the 'artist's portrait': Forms of explicit poetics in the Garrettian preface (Almeida Garrett) COLOQUIO-LETRAS, 1999, (153-54): : 9 - 19
- [25] THE INCIPIT IN THE PORTUGUESE AND BRAZILIAN HISTORICAL NOVEL: ALEXANDRE HERCULANO, ALMEIDA GARRETT AND JOSE DE ALENCAR LINHA D AGUA, 2019, 32 (02): : 65 - 86
- [27] The traps of intimacy (David Mourao-Ferreira's reading of Almeida Garrett's 'Folhas Caidas') COLOQUIO-LETRAS, 1999, (153-54): : 201 - 208
- [29] Almeida Garrett: Incursions of Don Quixote through Sancho Panza's Barataria ('Viagens na Minha Terra') COLOQUIO-LETRAS, 1999, (153-54): : 35 - 49
- [30] Almeida Garrett's 'Viagens na Minha Terra' in a transdisciplinary colloquium ("Garrett's 'Travels' and Its Descendants", University of Massachusetts, Dartmouth, October 22-23, 1999) COLOQUIO-LETRAS, 1999, (153-54): : 338 - 338