Using ethnographic data from a study of Cape Cod Community Television in Massachusetts, we shift the focus of analysis of the critical potential of public access from the content of its programming to the participation of local citizens in the production of community television. Through documentation of experiences in television production and media literacy, we redefine traditional notions of the public sphere to include meaningful action on the part of local citizens from various backgrounds. Drawing on recent feminist critical social theory, we argue that experiences in public access production compel us to move away from fixed notions of community good to the inclusion of the so-called "fringe" and the possibilities it brings to counter the hegemony of mainstream television.
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Univ Fed Rio de Janeiro, Sch Commun, Ave Pasteur 250, BR-22290902 Rio De Janeiro, BrazilUniv Fed Rio de Janeiro, Sch Commun, Ave Pasteur 250, BR-22290902 Rio De Janeiro, Brazil
Santini, Rose Marie
Salles, Debora
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Univ Fed Rio de Janeiro, Sch Commun, Ave Pasteur 250, BR-22290902 Rio De Janeiro, BrazilUniv Fed Rio de Janeiro, Sch Commun, Ave Pasteur 250, BR-22290902 Rio De Janeiro, Brazil
Salles, Debora
Tucci, Giulia
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Univ Fed Rio de Janeiro, Sch Commun, Ave Pasteur 250, BR-22290902 Rio De Janeiro, BrazilUniv Fed Rio de Janeiro, Sch Commun, Ave Pasteur 250, BR-22290902 Rio De Janeiro, Brazil
Tucci, Giulia
Ferreira, Fernando
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Twist Syst, Rio De Janeiro, BrazilUniv Fed Rio de Janeiro, Sch Commun, Ave Pasteur 250, BR-22290902 Rio De Janeiro, Brazil
Ferreira, Fernando
Grael, Felipe
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Twist Syst, Rio De Janeiro, BrazilUniv Fed Rio de Janeiro, Sch Commun, Ave Pasteur 250, BR-22290902 Rio De Janeiro, Brazil