ART, MEMORY AND HUMAN RIGHTS: THE MANIFESTATIONS OF THE INTER-AMERICAN COURT OF HUMAN RIGHTS

被引：0

作者：

Ferneda, Arie Scherreier ^{[1
,2
]}

Knopik Ferraz, Miriam Olivia ^{[1
,2
,3
,4
,5
]}

机构：

[1] Pontificia Univ Catolica Parana PUCPR, Direito, Curitiba, Parana, Brazil

[2] NOMA Norma & Arte, Curitiba, Parana, Brazil

[3] Pontificia Univ Catolica Parana, Grp Estudos Anal Econ Direito, Curitiba, Parana, Brazil

[4] FAE Business Sch, Curitiba, Parana, Brazil

[5] Kozikoski Paiva Santos & Bertoncini Advogados Ass, Curitiba, Parana, Brazil

来源：

HUMANIDADES & INOVACAO | 2020年 / 7卷 / 20期

关键词：

Human rights; Art; Memory; Repair; IACHR;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

The article seeks to demonstrate the interactions of law and art as a mechanism for processes of memory and symbolic reparation in cases of violations of human rights. The logical-deductive methodology and bibliographic review were used to consolidate the research. The analysis took place through research at the Inter-American Court of Human Rights (IACHR) to demonstrate the relevance of art as a potential mechanism for building a collective memory. The following cases were analyzed: Masacre de Mapiripon vs. Colombia; Barrios Altos vs. Peru; and Presidio Miguel Castro Castro vs. Peru. It was noted that, in these cases, the IACHR decided, among other issues, to impose on the States the construction of monuments in honor of the victims in order to create a collective memory. It was concluded that it is necessary to observe the balance between ethical and aesthetic elements, the participation of the victims and that art can be used as a tool of resistance and denunciation of human rights violations.

引用

页码：598 / 607

页数：10

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