This article discusses the motif of the "architecture of transgression", which is present most implicitly, in Lars von Trier's The House that Jack Built. The analysis concerns both the construction of cinematic narrative itself and the subtle allusions, inserted in the script, to two architectural metaphors: the Nietzschean (and Jungian) labyrinth and the Heideggerian die Hutte. Von Trier's film may be read as an oeuvre immersed in literary tradition-from Dante's Divine Comedy to the modern Bildungsroman-as well as inspired by modern philosophy, particularly George Bataille's philosophy of transgression, (as expound in his Erotism and his short 1929 essay on Architecture).
