The Crisis of Musical Aesthetics in the 21st Century

被引：2

作者：

Borio, Gianmario ^{[1
]}

机构：

[1] Univ Pavia, I-27100 Pavia, Italy

来源：

TOPOI-AN INTERNATIONAL REVIEW OF PHILOSOPHY | 2009年 / 28卷 / 02期

关键词：

Aesthetics; Musical thinking; Musical idea; Adorno; Musicology; Musical aesthetics; Absolute music; Semiotics; Symbol; Meaning in music;

D O I：

10.1007/s11245-009-9054-7

中图分类号：

B [哲学、宗教];

学科分类号：

01 ; 0101 ;

摘要：

This essay is an attempt to understand the reasons for the current crisis of musical aesthetics. It examines the function of this discipline as the mediator between philosophy and musicology, it inquires into its connections with the ideals of autonomy, beauty and free subjectivity. During the 20th Century, major changes in society and their communication forms happened; anthropology and semiotics began to compete with aesthetics in explaining musical facts. The last paragraphs test the chances of resistance of musical aesthetics; musical meaning appears to be the only question which endured in spite of the considerable fragmentation and loss of profile of musical experience.

引用

页码：109 / 117

页数：9

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