Linguistic transvestitism. The concealment of sexual identity Neo-Baroque in the narrative Latin Americana

被引：0

|

作者：

Preyer, Nina

机构：

来源：

ROMANISCHE FORSCHUNGEN | 2011年 / 123卷 / 03期

关键词：

D O I：

暂无

中图分类号：

I3/7 [各国文学];

学科分类号：

摘要：

引用

收藏

页码：413 / 417

页数：5

相关论文

共 14 条

[1] Linguistic transvestism. Masking of sexual identity in neo-Baroque Latin American narratives
Mercado-Harvey, Alicia
[J]. HISPAMERICA-REVISTA DE LITERATURA, 2011, 40 (119): : 124 - 125
[2] Linguistic travesty. The concealment of sexual identity in Latin American literature neo baroque.
Sanchez Alvarez-Insua, Alberto
[J]. ARBOR-CIENCIA PENSAMIENTO Y CULTURA, 2010, 186 (741) : 179 - 180
[3] Linguistic transvestism. The masking of Neo-Baroque identity in Latin American narratives
Ruvalcaba, Hector Dominguez
[J]. REVISTA DE ESTUDIOS HISPANICOS, 2012, 46 (01): : 147 - 148
[4] Linguistic cross dressing. The masking of sexual identity in the Latin American Neo Baroque narrative
Blanco, Fernando A.
[J]. IBEROAMERICANA, 2011, 11 (42): : 230 - 232
[5] Latin American Neo-Baroque: Senses of Distortion
Cardoso, Dinora
[J]. HISPANIA-A JOURNAL DEVOTED TO THE TEACHING OF SPANISH AND PORTUGUESE, 2018, 101 (01): : 145 - 146
[6] The Fantasy of Globalism: The Latin American Neo-Baroque
Acosta, Abraham
[J]. REVISTA DE ESTUDIOS HISPANICOS, 2016, 50 (03): : 788 - 790
[7] Theory of New Latin American Cinema: from militancy to neo-baroque
Schroeder Rodriguez, Paul A.
[J]. VALENCIANA, 2013, 6 (12) : 129 - 154
[8] Linguistic travesty. The concealment of sexual identity in Latin America neobaroque literature
Munoz Ferreira, Paola
[J]. ALPHA-REVISTA DE ARTES LETRAS Y FILOSOFIA, 2010, (30): : 223 - 228
[9] NEO-BAROQUE - DETERMINING THE NATURE OF LATIN-AMERICA AND ITS LITERATURE - GERMAN - PAULY,A
HEILER, S
[J]. ARCHIV FUR DAS STUDIUM DER NEUEREN SPRACHEN UND LITERATUREN, 1995, 232 (01): : 239 - 240
[10] HYPERTELIC SEXES IN THE NEO-BAROQUE COSMOS: QUEER LATIN AMERICAN THEORY AND CINEMA IN THE GLOCAL CONTEXT
Lugo-Bertran, Dorian
[J]. ATALANTE-REVISTA DE ESTUDIOS CINEMATOGRAFICOS, 2018, (26): : 95 - 110