Linguistic transvestism. The masking of Neo-Baroque identity in Latin American narratives

被引：0

作者：

Ruvalcaba, Hector Dominguez ^{[1
]}

机构：

[1] Univ Texas Austin, Austin, TX 78712 USA

来源：

REVISTA DE ESTUDIOS HISPANICOS | 2012年 / 46卷 / 01期

关键词：

D O I：

10.1353/rvs.2012.0001

中图分类号：

I3/7 [各国文学];

学科分类号：

摘要：

引用

页码：147 / 148

页数：2

共 22 条

[1] Linguistic transvestism. Masking of sexual identity in neo-Baroque Latin American narratives
Mercado-Harvey, Alicia
[J]. HISPAMERICA-REVISTA DE LITERATURA, 2011, 40 (119): : 124 - 125
[2] Linguistic transvestism: The masking of the sexual identity in the narratives of the latin american neobaroque
Irastorza, Mikel Imaz
[J]. CHASQUI-REVISTA DE LITERATURA LATINOAMERICANA, 2011, 40 (01): : 234 - 235
[3] Linguistic cross dressing. The masking of sexual identity in the Latin American Neo Baroque narrative
Blanco, Fernando A.
[J]. IBEROAMERICANA, 2011, 11 (42): : 230 - 232
[4] Latin American Neo-Baroque: Senses of Distortion
Cardoso, Dinora
[J]. HISPANIA-A JOURNAL DEVOTED TO THE TEACHING OF SPANISH AND PORTUGUESE, 2018, 101 (01): : 145 - 146
[5] The Fantasy of Globalism: The Latin American Neo-Baroque
Acosta, Abraham
[J]. REVISTA DE ESTUDIOS HISPANICOS, 2016, 50 (03): : 788 - 790
[6] Linguistic transvestitism. The concealment of sexual identity Neo-Baroque in the narrative Latin Americana
Preyer, Nina
[J]. ROMANISCHE FORSCHUNGEN, 2011, 123 (03) : 413 - 417
[7] Theory of New Latin American Cinema: from militancy to neo-baroque
Schroeder Rodriguez, Paul A.
[J]. VALENCIANA, 2013, 6 (12) : 129 - 154
[8] Jose Lezama Lima and the American neo-baroque
Caisso, Claudia
[J]. CONFLUENZE-RIVISTA DI STUDI IBEROAMERICANI, 2010, 2 (01): : 31 - 39
[9] Linguistic travesty. The concealment of sexual identity in Latin American literature neo baroque.
Sanchez Alvarez-Insua, Alberto
[J]. ARBOR-CIENCIA PENSAMIENTO Y CULTURA, 2010, 186 (741) : 179 - 180
[10] HYPERTELIC SEXES IN THE NEO-BAROQUE COSMOS: QUEER LATIN AMERICAN THEORY AND CINEMA IN THE GLOCAL CONTEXT
Lugo-Bertran, Dorian
[J]. ATALANTE-REVISTA DE ESTUDIOS CINEMATOGRAFICOS, 2018, (26): : 95 - 110

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