Paris match: Godard and Cahiers (The New Wave, Jean-Luc Godard, and writing about films in Les Cahiers du Cinema)

被引：0

作者：

Nowell-Smith, G ^{[1
]}

机构：

[1] Univ Luton, Luton LU1 3JU, Beds, England

来源：

SIGHT AND SOUND | 2001年 / 11卷 / 06期

关键词：

D O I：

暂无

中图分类号：

J9 [电影、电视艺术]; I235 [电影、电视、广播剧];

学科分类号：

摘要：

引用

页码：18 / 21

页数：4

共 50 条

[41] Films between lines -: Central texts in Jean-Luc!Godard's 'Weekend'
Kyed Rasmussen, Lasse
[J]. KOSMORAMA, 2006, (238): : 85 - 95
[42] POETICS OF VISION - 4 GODARD,JEAN-LUC FILMS OUT ON VIDEO - INTRODUCTION
GARIAZZO, G
[J]. CINEFORUM, 1995, 35 (05): : 89 - 89
[43] The history of the future in Paris: Chris Marker and Jean-Luc Godard in the 1960s
Hilliker, L
[J]. FILM CRITICISM, 2000, 24 (03) : 1 - 22
[44] Hail Mary of Jean-Luc Godard: modalities and stakes of a return of the religious people to the cinema
Malabre, Natalie
[J]. CAHIERS D ETUDES DU RELIGIEUX-RECHERCHES INTERDISCIPLINAIRES, 2012,
[45] "End of cinema" or end of cinema? Jean-Luc Godard's La Chinoise and Week-end
Krieger, Antoine
[J]. FRENCH REVIEW, 2013, 87 (01): : 85 - 98
[46] Holocaust and image: Debates surrounding Jean-Luc Godard's Histoire(s) du cinema (1988-98)
Heywood, Miriam
[J]. STUDIES IN FRENCH CINEMA, 2009, 9 (03): : 273 - 283
[47] WAYS TO SEE, WAYS TO WRITE IMAGE AND WRITING IN HERBERTO HELDER AND JEAN-LUC GODARD
Marques, Elisabete
[J]. COLOQUIO-LETRAS, 2021, (206): : 282 - 284
[48] Nude, deformed, violated body. An assembly in the History(-ies) of cinema by Jean-Luc Godard
Brodesco, Alberto
[J]. SCIENZA & POLITICA-PER UNA STORIA DELLE DOTTRINE, 2012, 24 (47): : 199 - 209
[49] BELIEF IN CINEMA jean-luc godard's je vous salue, marie and the pedagogy of images
Trahair, Lisa
[J]. ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES, 2012, 17 (04): : 193 - 207
[50] Cogito ergo video. Stories of Cinema by Jean-Luc Godard or capitalism as a pathology of memory
Bayon, Fernando
[J]. TEORIA-RIVISTA DI FILOSOFIA, 2010, 30 (01): : 151 - 169

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