共 50 条
- [41] THE PLOWMAN AND THE MUSIC AS GENDER PERSONIFICATIONS OF THE CZECH IDENTITY IN CULTURE VESTNIK SLAVIANSKIKH KULTUR-BULLETIN OF SLAVIC CULTURES-SCIENTIFIC AND INFORMATIONAL JOURNAL, 2021, 59 : 8 - 20
- [42] The International Dvorak reception and their effect on the Czech music culture WORK OF ANTONIN DVORAK (1841-1904): ASPECTS OF COMPOSITION - PROBLEMS OF EDITING - RECEPTION: PROCEEDINGS OF THE INTERNATIONAL MUSICOLOGICAL CONFERENCE, PRAGUE, 2004, 2007, : 331 - 345
- [43] The Latvian folk music movement in the 1980s and 1990s: From 'authenticity' to 'postfolklore' and onwards WORLD OF MUSIC, 2001, 43 (2-3): : 113 - 118
- [44] Reflections on Czech sociology of education and youth in the 1990s SOCIOLOGICKY CASOPIS, 2000, 36 (01): : 87 - 96
- [45] Music Culture of Contemporary Young People in the Czech Republic MUSIC EDUCATION - TERRA COGNITA?, 2016, (27): : 52 - 62
- [47] Sonic Borderscapes: Popular Music, Pirate Radio, and Belonging in Black British Writing in the 1990s ANGLIA-ZEITSCHRIFT FUR ENGLISCHE PHILOLOGIE, 2018, 136 (03): : 468 - 481
- [50] MUSIC AS SADHANA + MUSIC AS A PARADIGM OF SPIRITUAL INTEGRATION JOURNAL OF DHARMA, 1982, 7 (02): : 181 - 188