Alejandro Gonzalez Inarritu

被引：0

作者：

Cummings, Gerardo ^{[1
]}

机构：

[1] Bluefield State Coll, Bluefield, VA 24605 USA

来源：

STUDIES IN LATIN AMERICAN POPULAR CULTURE | 2012年 / 30卷

关键词：

D O I：

10.1353/sla.2012.0016

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

引用

页码：242 / 243

页数：2

共 50 条

[31] The diceman (Gonzalez Inarritu's '21 Grams')
Solorzano, F
SIGHT AND SOUND, 2003, 13 (06): : 12 - 13
[32] Mosaic Space and Mosaic Auteurs: On the Cinema of Alejandro Gonzalez Inarritu, Atom Egoyan, Hou Hsiao-hsien and Michael Haneke
Wrochna, Agata Ewa
FILM-PHILOSOPHY, 2018, 22 (03): : 501 - 505
[33] Misspent youth (Gonzalez Inarritu's '21 Grams')
Brown, S
SIGHT AND SOUND, 2004, 14 (04): : 80 - 80
[34] Spectrum of paternity and dissolution of frontiers in Biutiful by Alejando Gonzalez Inarritu
Aguilar, Anna Casas
JOURNAL OF SPANISH CULTURAL STUDIES, 2015, 16 (02) : 179 - 191
[35] Pup fiction:: 'Amores perros' is a provoking incendiary new film from Mexico about city dwellers and their dogs (Interview with the film's director, Alejandro!Gonzalez Inarritu)
Pérez Soler, B
González Iñarritu, A
SIGHT AND SOUND, 2001, 11 (05): : 28 - 30
[36] Native American Women as Palimpsestic Apparitions in Alejandro Gonzales Inarritu's The Revenant
Marubbio, M. Elise
EUROPEAN JOURNAL OF AMERICAN STUDIES, 2022, 17 (02):
[37] Alejandro Schneider and Roberto Gonzalez Arana, Caribbean Revolutions: Cold War Armed Movements
Kruijt, Dirk
JOURNAL OF LATIN AMERICAN STUDIES, 2020, 52 (03) : 680 - 683
[38] Virtually Present, Physically Invisible: Alejandro G. Inarritu's Mixed Reality Installation Carne y Arena
Raessens, Joost
TELEVISION & NEW MEDIA, 2019, 20 (06) : 634 - 648
[39] The Skaz Technique in Translation: Aspects of Stylistic Rendition ("A Nasty Story" by Dostoevsky, Translated into Spanish by Alejandro Ariel Gonzalez)
Belousova, Anastasia
Ruiz, Paula
MUNDO ESLAVO-JOURNAL OF SLAVIC STUDIES, 2020, (19): : 177 - 194
[40] ALEJANDRO AMENABAR
Whittaker, Tom
STUDIES IN SPANISH & LATIN AMERICAN CINEMAS, 2014, 11 (01): : 107 - 109

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