Finality as formal principal. Beethoven's middle piano sonatas and the art of starting wrong

被引：0

作者：

Schick, H ^{[1
]}

机构：

[1] Univ Tubingen, D-72074 Tubingen, Germany

来源：

MUSIKTHEORIE | 1998年 / 13卷 / 03期

关键词：

D O I：

暂无

中图分类号：

J6 [音乐];

学科分类号：

摘要：

引用

页码：207 / 222

页数：16

共 30 条

[21] BEETHOVEN Complete Sonatas and Variations for cello and piano ONYX 4178 (R Kirshbaum, S Wosner)
Banks, Janet
STRAD, 2017, 128 (1523): : 86 - 87
[22] The second bar of the recitative in Beethoven's 'Klaviersonate As-Dur opus 110' (Piano sonatas)
van Beek, J
MUSIKTHEORIE, 1997, 12 (03): : 235 - 254
[23] Reviewing critical practice: An analysis of Gramophone's reviews of Beethoven's piano sonatas, 1923-2010
Alessandri, Elena
Eiholzer, Hubert
Williamon, Aaron
MUSICAE SCIENTIAE, 2014, 18 (02) : 131 - 149
[24] " ... in the strictest fetter so free and unrestrained" On the (Positive) Hermeneutics in the Contemporary Reception of Beethoven's Late Piano Sonatas
Schabram, Kai Marius
ARCHIV FUR MUSIKWISSENSCHAFT, 2023, 80 (03): : 239 - 249
[25] Beethoven's piano sonatas recorded on historical instruments - Claves-50-9707-10 (Bilson, Beghin, Breitman, Dutschler, Meniker, van Oort, Willis)
Cosse, P
OSTERREICHISCHE MUSIKZEITSCHRIFT, 1998, 53 (05): : 104 - 108
[26] THE ART OF MUSICAL CRAFT AT THE PIANO - FORMAL CRITERIA AND COMPOSITIONAL TECHNIQUES IN BACHIAN AND CLASSICAL KEYBOARD-MUSIC - GERMAN - BRUHN,S
HANSEN, B
MUSIKFORSCHUNG, 1985, 38 (04): : 321 - 321
[27] Beethoven's death as the starting point for Rokitansky's family ties to the art world "We were there when they buried him and when he died we wept."
Rokitansky-Tilscher, Ursula
WIENER MEDIZINISCHE WOCHENSCHRIFT, 2021, 171 (15-16) : 363 - 372
[28] BEETHOVEN 'PIANO SONATAS N21 IN C-MAJOR OP53 AND N23 IN F-MINOR OP57' + BULVA,J. - ORFEO-S-082831A
BUDWEG, H
NEUE ZEITSCHRIFT FUR MUSIK, 1984, 145 (02): : 43 - 44
[29] BEETHOVEN Complete works for piano and violin vol.1: Violin Sonatas op.12 no.1, op.23 & op.30 no.2 Wide Classique WCL 113 (F Mezzena, S Giavazzi)
Milsom, David
STRAD, 2009, 120 (1426): : 83 - 83
[30] Beethoven’s death as the starting point for Rokitansky’s family ties to the art world “We were there when they buried him and when he died we wept.”Beethovens Tod als Ausgangspunkt der familiären Verbindungen Rokitanskys in die Kunstwelt „Wir waren dabey, als sie ihn begruben, und als er starb, haben wir geweint.“
Ursula Rokitansky-Tilscher
Wiener Medizinische Wochenschrift, 2021, 171 : 363 - 372

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