Finality as formal principal. Beethoven's middle piano sonatas and the art of starting wrong

被引：0

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作者：

Schick, H ^{[1
]}

机构：

[1] Univ Tubingen, D-72074 Tubingen, Germany

来源：

MUSIKTHEORIE | 1998年 / 13卷 / 03期

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中图分类号：

J6 [音乐];

学科分类号：

摘要：

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页码：207 / 222

页数：16

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