Embodying improvisational education for managers: learning from theater

被引:1
|
作者
Paquelet Moreira, Barbosa Fernanda [1 ]
Davel, Eduardo [1 ]
Cunha, Miguel Pina E. [2 ]
机构
[1] Univ Fed Bahia, Sch Management, BR-40110060 Salvador, BA, Brazil
[2] Univ Nova Lisboa, Nova Sch Business & Econ, Lisbon, Portugal
基金
欧盟地平线“2020”;
关键词
Organizational improvisation; management education; management learning; embodiment; theatrical improvisation; ARTS-BASED METHODS; ORGANIZATIONAL IMPROVISATION; JAZZ IMPROVISATION; LEADERSHIP; LOOKING;
D O I
10.1080/14759551.2021.2010199
中图分类号
C93 [管理学];
学科分类号
12 ; 1201 ; 1202 ; 120202 ;
摘要
Organizational improvisation is a key skill for managers, but we lack knowledge on how to educate them on improvisational skills and what the role of the body is in this process. We assume that embodiment matters because improvisation relies on the visceral and instinctive reactions of the body when faced with urgent situations. This study explores how theatrical improvisation embodies organizational improvisation education. The empirical research results from three years of teaching organizational improvisation based on theatrical improvisation in a management school. The narrative analysis of empirical materials (documents, observational diaries, artistic expressions, interviews) presents organizational improvisation education and its embodiment as involving three types of learning practices: relationality (with oneself, with others, with rules, with the whole and with creativity), emotionality (joy, surprise and anxiety) and spontaneity (relaxation and intuition). We contribute to understanding how teaching and learning organizational improvisation involves theatrical and embodiment training.
引用
收藏
页码:296 / 312
页数:17
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