This article addresses migrant children's entries into new education systems from the vantage point of musical participation. Through an ethnographic study of one Norwegian primary school, it investigates what scope for musical participation is available to newly arrived migrant children in a dedicated introductory class, and how their engagement with music contributes to a sense of belonging. Four themes emerged: (1) Self-presentation and creativity; (2) New roles; (3) Memories of family and home; and (4) Belonging. The experiences in this study highlight that intercultural music education is about far more than content. The importance of relational competences developed through group musical activity and social interplay was continually to the fore, as well as the need for teacher reflexivity over the lack of neutrality of (musical) knowledge and skills in the classroom. Musical participation in schools then requires the fostering of intercultural competence among teachers, pupils and the entire school culture.
机构:
Shenzhen Univ, Inst Urban Governance, Shenzhen 518060, Peoples R ChinaShenzhen Univ, Inst Urban Governance, Shenzhen 518060, Peoples R China
Nie, Wei
Gao, Liru
论文数: 0引用数: 0
h-index: 0
机构:
Nanjing Univ Finance & Econ, Sch Law, Dept Social Work, Nanjing 210023, Peoples R ChinaShenzhen Univ, Inst Urban Governance, Shenzhen 518060, Peoples R China
Gao, Liru
Cui, Kunjie
论文数: 0引用数: 0
h-index: 0
机构:
Southwestern Univ Finance & Econ, Res Inst Social Dev, Chengdu 611130, Peoples R ChinaShenzhen Univ, Inst Urban Governance, Shenzhen 518060, Peoples R China
机构:
Western Sydney Univ, Sch Educ, Locked Bag 1797, Penrith, NSW 2757, AustraliaWestern Sydney Univ, Sch Educ, Locked Bag 1797, Penrith, NSW 2757, Australia