Materials and techniques of a Spanish renaissance panel painting

被引:3
|
作者
Rodriguez-Lopez, Ainhoa [1 ]
Khandekar, Narayan [2 ]
Gates, Glenn [3 ]
Newman, Richard [4 ]
机构
[1] Univ Basque Country, Departmento Pintura, Fac Bellas Artes, UPV EHU, Leioa 48940, Spain
[2] Harvard Univ, Straus Ctr Conservat, Cambridge, MA 02138 USA
[3] Detroit Inst Arts, Detroit, MI 48207 USA
[4] Museum Fine Arts, Boston, MA 02115 USA
关键词
Historic preservation;
D O I
10.1179/sic.2007.52.2.81
中图分类号
K85 [文物考古];
学科分类号
0601 ;
摘要
A technical examination of a Spanish altarpiece attributed to Bartolomé Bermejo (1468-1495), belonging to the Hispanic Society of America, was carried out. Analytical methods used in this study were X-radiography, infrared reflectography, optical microscopy (reflected light and polarized light), cross-section staining tests, scanning electron microscopy, gas chromatography-mass spectrometry, Fourier transform infrared spectroscopy and carbon-14 dating. A number of unusual techniques were identified including: the use of cotton and flax fibres for internal strength in the halo relief, the lack of a bole layer, the use of an orarge-coloured oil mordant under the gilding, the use of powdered gold over the entire gilded surface and the use of an egg-white binding medium. The carbon-14 dating placed the panel in the 1530s, which will lead to a new attribution.
引用
收藏
页码:81 / 100
页数:20
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