Materials and techniques of a Spanish renaissance panel painting

被引：3

作者：

Rodriguez-Lopez, Ainhoa ^{[1
]}

Khandekar, Narayan ^{[2
]}

Gates, Glenn ^{[3
]}

Newman, Richard ^{[4
]}

机构：

[1] Univ Basque Country, Departmento Pintura, Fac Bellas Artes, UPV EHU, Leioa 48940, Spain

[2] Harvard Univ, Straus Ctr Conservat, Cambridge, MA 02138 USA

[3] Detroit Inst Arts, Detroit, MI 48207 USA

[4] Museum Fine Arts, Boston, MA 02115 USA

来源：

STUDIES IN CONSERVATION | 2007年 / 52卷 / 02期

关键词：

Historic preservation;

D O I：

10.1179/sic.2007.52.2.81

中图分类号：

K85 [文物考古];

学科分类号：

0601 ;

摘要：

A technical examination of a Spanish altarpiece attributed to Bartolomé Bermejo (1468-1495), belonging to the Hispanic Society of America, was carried out. Analytical methods used in this study were X-radiography, infrared reflectography, optical microscopy (reflected light and polarized light), cross-section staining tests, scanning electron microscopy, gas chromatography-mass spectrometry, Fourier transform infrared spectroscopy and carbon-14 dating. A number of unusual techniques were identified including: the use of cotton and flax fibres for internal strength in the halo relief, the lack of a bole layer, the use of an orarge-coloured oil mordant under the gilding, the use of powdered gold over the entire gilded surface and the use of an egg-white binding medium. The carbon-14 dating placed the panel in the 1530s, which will lead to a new attribution.

引用

页码：81 / 100

页数：20

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