Whose Memory? Whose Justice?: Personal and political trauma in Ariel Dorfman's Death and the Maiden

被引：2

作者：

Weaver, James ^{[1
]}

Colleran, Jeanne ^{[2
]}

机构：

[1] Univ Toronto, Toronto, ON M5S 1A1, Canada

[2] John Carroll Univ, Coll Arts & Sci, University Hts, OH USA

来源：

PERFORMANCE RESEARCH | 2011年 / 16卷 / 01期

关键词：

D O I：

10.1080/13528165.2011.561672

中图分类号：

TU242.2 [影院、剧院、音乐厅];

学科分类号：

摘要：

[No abstract available]

引用

页码：31 / 42

页数：12

共 43 条

[31] "The Holocaust" or "The Salvation of Democracy" Memory and Political Struggle in the Aftermath of Colombia's Palace of Justice Massacre
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[32] Whose history, whose culture? The Museum of African American History, the Detroit Institute of Arts, and urban politics at the end of the Twentieth Century (The history of the two institutions and the political climate in the city as documented by the local newspapers during the 1990s)
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[37] Post-Memory of Political-Cultural Violence Trauma in two movies form Peru's Countryside
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ANALECTA POLITICA, 2018, 8 (15): : 217 - 234
[38] Trauma, Play, Memory: Life and Death Are Wearing Me Out and Mo Yan's Strategies for Writing History as Story
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FRONTIERS OF LITERARY STUDIES IN CHINA, 2015, 9 (02) : 235 - 258
[39] Jewish Death in Jewish Time: The Ontological Shift Required to Understand Torah Judaism's Indigenous Approach to Historical Trauma and Historical Memory
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RELIGIONS, 2022, 13 (12)
[40] Harming a deceased person's memory by digital means (Behaviour prejudicing the reputation, privacy, image and personal data of people after their death on social networks, in digital publications and by other electronic media)
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