FOR A PHENOMENOLOGY OF THE MEMORY OF FANTASY

Philosophical questioning often concerns matters which converge in a boundary area of various different, albeit complementary, ways. Literature, psycho-analysis and the cinema can represent, each in their own way, possible means of access for a Phenomenology of memory, in particular memory of fantasy. The path followed in this work derives its beginnings from Husserl's phenomenology, to then investigate well-known literary, cinematic works and works of psycho-analytical reflection, from Borges to Hitchcock and to Freud, with the intention of penetrating into the problematic plexus of temporality/fantasy/memory.