共 50 条
- [31] TENDENCIES IN STOCKHAUSEN CYCLE 'LICHT' - ON THE SEARCH FOR LOST POLYPHONY NEUE ZEITSCHRIFT FUR MUSIK, 1984, 145 (7-8): : 24 - 27
- [32] STOCKHAUSEN 'SAMSTAG AUS LICHT' + STOCKHAUSEN, PASVEER, HOLLE, STRUCK, STOCKHAUSEN - DEUTSCHE-GRAMMOPHON-423-596-2 OPERA, 1989, 40 (04): : 499 - 500
- [34] STOCKHAUSEN PATH TO OPERA + AS SEEN IN 'DONNERSTAG AUS LICHT' MUSICAL TIMES, 1985, 126 (1711): : 515 - 521
- [35] A FEW WORDS BEFORE THURSDAY + STOCKHAUSEN 'DONNERSTAG AUS LICHT' ABOUT THE HOUSE, 1985, 7 (03): : 4 - 7
- [36] THURSDAYS-CHILD + STOCKHAUSEN,KARLHEINZ AND 'DONNERSTAG AUS LICHT' OPERA, 1985, 36 (09): : 988 - 993
- [37] THE PERFORMANCE OF STOCKHAUSEN 'SAMSTAG' FROM 'LICHT' IN MILAN + REPLY TO VOGT NEUE ZEITSCHRIFT FUR MUSIK, 1985, 146 (01): : 2 - 2
- [38] STOCKHAUSEN 'DONNERSTAG AUS LICHT' + GAMBILL, HOLLE, MERIWEATHER, STOCKHAUSEN - DEUTSCHE-GRAMMOPHON-2740-272 OPERA QUARTERLY, 1984, 2 (04): : 126 - 128
- [39] The 'Kathinkas Gesang als Luzifers Requiem' scene in Karlheinz Stockhausen's opera 'Samstag aus LICHT' NEUE ZEITSCHRIFT FUR MUSIK, 1998, 159 (04): : 26 - 29
- [40] From Mantra to Licht. The technique of the formula in the piano music of Karlheinz Stockhausen RIVISTA DI ANALISI E TEORIA MUSICALE, 2018, 24 (02): : 59 - 86