LOOPNET: MUSICAL LOOP SYNTHESIS CONDITIONED ON INTUITIVE MUSICAL PARAMETERS

被引:3
|
作者
Chandna, Pritish [1 ]
Ramires, Antonio [1 ]
Serra, Xavier [1 ]
Gomez, Emilia [1 ,2 ]
机构
[1] Univ Pompeu Fabra, Mus Technol Grp, Barcelona, Spain
[2] European Commiss, Joint Res Ctr, Seville, Spain
基金
欧盟地平线“2020”;
关键词
Wave-U-Net; Loop Synthesis; Multi-Resolution Loss; Generative Models; Music Information Retrieval;
D O I
10.1109/ICASSP39728.2021.9415047
中图分类号
O42 [声学];
学科分类号
070206 ; 082403 ;
摘要
Loops, seamlessly repeatable musical segments, are a cornerstone of modern music production. Contemporary artists often mix and match various sampled or pre-recorded loops based on musical criteria such as rhythm, harmony and timbral texture to create compositions. Taking such criteria into account, we present LoopNet, a feed-forward generative model for creating loops conditioned on intuitive parameters. We leverage Music Information Retrieval (MIR) models as well as a large collection of public loop samples in our study and use the Wave-U-Net architecture to map control parameters to audio. We also evaluate the quality of the generated audio and propose intuitive controls for composers to map the ideas in their minds to an audio loop.
引用
收藏
页码:3395 / 3399
页数:5
相关论文
共 50 条
  • [11] Perceptually Correlated Parameters of Musical Instrument Tones
    Beauchamp, James W.
    ARCHIVES OF ACOUSTICS, 2011, 36 (02) : 225 - 238
  • [12] MUSICAL TENSION AND THE INTERACTION OF DYNAMIC AUDITORY PARAMETERS
    Granot, Roni Y.
    Eitan, Zohar
    MUSIC PERCEPTION, 2011, 28 (03): : 219 - 245
  • [13] Automated musical transitions through rule-based synthesis using musical properties
    Hadimlioglu, I. Alihan
    King, Scott A.
    ENTERTAINMENT COMPUTING, 2018, 28 : 59 - 67
  • [14] DERIVATIVE SYNTHESIS OF MUSICAL INSTRUMENT TONES
    GSCHWAND.E
    JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA, 1969, 46 (1P1): : 98 - &
  • [15] MUSICAL SOUND SYNTHESIS BY FORWARD DIFFERENCES
    MITSUHASHI, Y
    JOURNAL OF THE AUDIO ENGINEERING SOCIETY, 1982, 30 (1-2): : 2 - 9
  • [16] ADDITIVE SYNTHESIS OF HARMONIC MUSICAL TONES
    BEAUCHAMP, JW
    JOURNAL OF THE AUDIO ENGINEERING SOCIETY, 1966, 14 (04): : 332 - +
  • [17] Singing synthesis as a new musical instrument
    Yamaha+ Division, Yamaha Corporation, Japan
    ICASSP IEEE Int Conf Acoust Speech Signal Process Proc, 2012, (5385-5388):
  • [18] SINGING SYNTHESIS AS A NEW MUSICAL INSTRUMENT
    Kenmochi, Hideki
    2012 IEEE INTERNATIONAL CONFERENCE ON ACOUSTICS, SPEECH AND SIGNAL PROCESSING (ICASSP), 2012, : 5385 - 5388
  • [19] Primary auditory cortex representation of fear-conditioned musical sounds
    Staib, Matthias
    Abivardi, Aslan
    Bach, Dominik R.
    HUMAN BRAIN MAPPING, 2020, 41 (04) : 882 - 891
  • [20] Study of spectro-temporal parameters in musical performance for expressive instrument synthesis.
    Dubnov, S
    Rodet, X
    1998 IEEE INTERNATIONAL CONFERENCE ON SYSTEMS, MAN, AND CYBERNETICS, VOLS 1-5, 1998, : 1091 - 1094