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- [33] MENDELSSOHN 'CONCERTO, OP. 64', SAINT-SAENS 'CONCERTO NO. 3, OP. 61' + LIN, PHILHARMONIA-ORCHESTRA, THOMAS - CBS-39007 STRAD, 1987, 98 (1164): : 321 - 321
- [34] Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Faure's La chanson d'Eve AUSTRALIAN LITERARY STUDIES, 2014, 29 (1-2): : 45 - 64
- [36] FAURE 'CHANT FUNERAIRE OP. 117', KOECHLIN 'QUELQUES CHORALS POUR DES FETES POPULAIRES', SCHMITT, 'DIONYSIAQUES OP. 62 NR. 1' + MUSIQUIE-DE-GARDIENS-DE-LA-PAIX, DONDEYNE - CALLIOPE - CAL-1839 NEUE ZEITSCHRIFT FUR MUSIK, 1987, 148 (01): : 53 - 53
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- [38] Complete Works. Serie V: Chamber Music, vol 3: Trio for piano, violin and cello in D minor, op. 120/ String Quartet in E minor op. 121 Gabriel Faure MUSIKFORSCHUNG, 2012, 65 (04): : 428 - 431
- [39] Repetition as process - Structure and multiple perspectives on Chopin's 'Polonaise-Fantasy Op. 61' MUSIKTHEORIE, 2004, 19 (02): : 159 - 176
- [40] Auerbach 'Oskolki' 'Postludium fur violine and klavier op. 61' - SIK 8546 (GV Gluzman) NEUE ZEITSCHRIFT FUR MUSIK, 2007, (06): : C15 - C15