The Parallax Gap in Gish Jen's The Love Wife: The Imaginary Relationship between First-World and Third-World Women

被引：2

作者：

Chen, Fu-Jen ^{[1
]}

Yu, Su-Lin

机构：

[1] Natl Sun Yat Sen Univ, Kaohsiung 80424, Taiwan

来源：

CRITIQUE-STUDIES IN CONTEMPORARY FICTION | 2010年 / 51卷 / 04期

关键词：

Asian American literature; feminism; psychoanalysis; race;

D O I：

10.1080/00111611003631678

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

Focusing on the relationship among three women (Blondie, Lan, and Mama Wong) in Gish Jen's The Love Wife, we shall explore the imaginary binary relationship between Blondie and Lan and the gaze of the (m)Other (Mama Wong) involved in the binary relationship. We are engaged in an arduous query-how does one deal with the Other woman, her otherness?-that can be explicated and linked to a larger social context: the relation between Western and Third-World women.

引用

页码：394 / 415

页数：22

共 47 条

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