ROYAL BAPTISM AT THE SPANISH COURT: ART AND RITUAL FROM THE 16TH TO 17TH CENTURIES

被引:3
|
作者
Rodriguez Moya, Inmaculada [1 ]
机构
[1] Univ Jaume 1, Castellon De La Plana, Spain
来源
ARCHIVO ESPANOL DE ARTE | 2018年 / 91卷 / 364期
关键词
baptism; prince; Royal Palace; Grandes; tapestries; goldsmithing; PORTRAITS;
D O I
10.3989/aearte.2018.21
中图分类号
J [艺术];
学科分类号
13 ; 1301 ;
摘要
The christening of a child (heir or prince-infante) at the Spanish Court was a public demonstration of the king's power and the continuity of the dynasty. It was also a significant occasion for the nobility, given that the baptismal procession, celebrated both inside and outside the Royal Palace, was conceived as a mirror of the hierarchy at Court. The godfather was usually a relative of the child, but on occasion he could also be a member of the high nobility, selected for that dignity, and thus a very important role. A similar honor was granted to those Grandes de Espana assigned to carry the ritual objects. On this occasion both palace and church were specially decorated with rich furnishings and textiles.
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页码:349 / 366
页数:18
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