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Madame Mariquita, Greek Dance, and French Ballet Modernism
被引:0
|作者:
Gutsche-Miller, Sarah
[1
,2
]
机构:
[1] Univ Toronto, Musicol, Fac Mus, Toronto, ON, Canada
[2] Univ Toronto, Ctr Drama Theatre & Performance Studies, Toronto, ON, Canada
关键词:
THEATER;
D O I:
10.1017/S014976772100036X
中图分类号:
J7 [舞蹈];
学科分类号:
摘要:
This article seeks to correct prevailing narratives of French ballet modernism, which exclude one of its earliest and most significant choreographers, Madame Mariquita. Although long overshadowed by the Diaghilev enterprise and by dancers such as Isadora Duncan, Mariquita's experiments with creating dances that drew on ancient Greek imagery while ballet mistress at the Paris Opéra-Comique in the early 1900s were central to ballet culture in France at a pivotal moment in dance history. This article discusses Mariquita's nascent ballet modernism through her choreography of Greek dances as well as her engagement with early twentieth-century French dance and broader cultural trends. Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Dance Studies Association.
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页码:46 / 68
页数:23
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