Music Composition Today

被引：0

作者：

Tsao, Ming ^{[1
]}

机构：

[1] Hsch Mus Theater & Medien Hannover, Composit, Hannover, Germany

来源：

REVISTA VORTEX-VORTEX MUSIC JOURNAL | 2020年 / 8卷 / 01期

关键词：

new music festivals; contemporary music; language of music; teaching composition today; experimental music;

D O I：

10.33871/23179937.2020.8.1.1-10

中图分类号：

J6 [音乐];

学科分类号：

摘要：

In this essay, composer Ming Tsao presents a critical overview of today's new music scene, with a special emphasis on the task of teaching music composition today and the culture of new music festivals. Tsao's main critique delves into the current tendency towards entertainment predominantly displayed in some German new music festivals, commonly advertised as experimental music. Alongside this critique, Tsao presents Steven Takasugi's musical theater work "Side Show" (2009-15) as an example of today's music composition that resists this emerging commercialism in concert music. In this text, Tsao makes reference to the writings and ideas of German composer Helmut Lachenmann, mainly on his concepts of Gerauschmusik, Kadenzklange, Texturklange, and the language-like aspects of music, as well as to the writings of poet J. H. Prynne [note by editor].

引用

页数：10

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