Self-representation in the literary and artistic world: a mobile, plural and fragmented instance

被引：0

|

作者：

Gauvreau, Laurence ^{[1
]}

Hakeem, Hasheem ^{[1
]}

机构：

[1] Univ Simon Fraser, Burnaby, BC, Canada

来源：

VOIX PLURIELLES | 2020年 / 17卷 / 01期

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暂无

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

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页码：109 / 111

页数：3

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[J]. 2014 IEEE CONFERENCE ON COMPUTER COMMUNICATIONS WORKSHOPS (INFOCOM WKSHPS), 2014, : 416 - 421
[22] The novel as a reflection of itself. Typology, analysis and historical studies on the discourse surrounding literary self-representation in the Spanish novel from the 15th to 20th-century
Engler, W
[J]. GERMANISCH-ROMANISCHE MONATSSCHRIFT, 2000, 50 (01): : 119 - 123
[23] Reading the intersections of law and literature in the eighteenth century (Ronan Deazley's 'On the Origin of the Right to Copy - Charting the Movement of Copyright Law in Eighteenth-Century Britain (1695-1775)', Jody Greene's The 'Trouble with Ownership - Literary Property and Authorial Liability in England, 1660-1730', Scott Hess's 'Authoring the Self - Self-Representation, Authorship, and the Print Market in British Poetry from Pope through Wordsworth', Wolfram Schmidgen's 'Eighteenth-Century Fiction and the Law of Property', Kathryn Temple's 'Scandal Nation - Law and Authorship in Britain, 1750-1832')
Gunzenhauser, Bonnie
[J]. EIGHTEENTH-CENTURY STUDIES, 2007, 40 (02) : 334 - 339