Minimal structures: From jazz improvisation to product innovation

被引:179
|
作者
Kamoche, K [1 ]
Cunha, MPE
机构
[1] City Univ Hong Kong, Dept Management, Kowloon, Hong Kong, Peoples R China
[2] Univ Nova Lisboa, Fac Econ, P-1200 Lisbon, Portugal
关键词
minimal structures; jazz improvisation; new product development; innovation; synthesis;
D O I
10.1177/0170840601225001
中图分类号
C93 [管理学];
学科分类号
12 ; 1201 ; 1202 ; 120202 ;
摘要
This paper demonstrates how the art form jazz improvisation can be applied to organizational innovative activities, focusing specifically on product innovation. In the past, the literature on product innovation focused on well-planned approaches which followed a clearly-understood structure based on a rational-functionalist paradigm. However, it is becoming increasingly evident that this model is inappropriate in today's highly competitive business environment. A balance between structure and flexibility seems to be an appropriate way to manage the contradicting demands of control and creativity faced by organizations in highly competitive environments. Jazz improvisation provides this synthesis through the concept of 'minimal structures'. We characterize the minimal structures that allow jazz improvisers to merge composition and performance, and then proceed to apply this approach to new product development.
引用
收藏
页码:733 / 764
页数:32
相关论文
共 50 条
  • [31] Jazz Improvisation Pedagogy: Evaluating the Effectiveness of a Beginning Jazz Improvisation Learning Environment for Middle School Instrumentalists
    Marino, Sara E.
    Chinn, Clark A.
    [J]. JOURNAL OF RESEARCH IN MUSIC EDUCATION, 2023, 71 (03) : 322 - 342
  • [32] Harmony in flux: Unraveling the green innovation with organizational forgetting, absorptive capacity, and the jazz of organizational improvisation
    Shahzad, Mohsin
    Zafar, Abaid Ullah
    Ye, Maoran
    Ding, Xiangan
    [J]. BUSINESS STRATEGY AND THE ENVIRONMENT, 2024, 33 (05) : 4145 - 4161
  • [33] JAZZ IMPROVISATION AS A KEY CONCEPT FOR TRAINING CLASSICAL AND JAZZ MUSICIANS
    Kramer, Daniel B.
    Konson, Grigoriy R.
    [J]. ART HISTORY IN THE CONTEXT OF OTHER SCIENCES IN MODERN WORLD: PARALLELS AND INTERACTIONS: , PROCEEDINGS OF THINTERNATIONAL ACADEMIC CONFERENCE APRIL 2126, 2019, 2020, : 973 - 993
  • [34] Jazz improvisation as a metaphor for organization theory
    Lewin, AY
    [J]. ORGANIZATION SCIENCE, 1998, 9 (05) : 539 - 539
  • [35] Saying something: Jazz improvisation and interaction
    Tirro, F
    [J]. WORLD OF MUSIC, 1999, 41 (01): : 113 - 116
  • [36] Noise Orders: Jazz, Improvisation, and Architecture
    LaBelle, Brandon
    [J]. JOURNAL OF ARCHITECTURE, 2008, 13 (02): : 203 - 205
  • [37] Second Person Attributions in Jazz Improvisation
    Cecilia Martinez, Isabel
    Perez, Joaquin
    Marchiano, Maria
    Dameson, Javier
    Valles, Monica
    Tanco, Matias
    Pretti, Patricio
    Felix Pissinis, Juan
    Milomes, Luciana
    Gimenez, Mariel
    [J]. TEOREMA, 2022, 41 (02): : 81 - 107
  • [38] 'Noise orders': Jazz, improvisation, and architecture
    Heathcott, Joseph
    [J]. JOURNAL OF ARCHITECTURAL EDUCATION, 2007, 60 (04) : 65 - 66
  • [39] Free jazz and free improvisation: An encyclopedia
    Woodhouse, M
    [J]. LIBRARY JOURNAL, 2004, 129 (19) : 88 - 88
  • [40] 'Noise orders': Jazz, improvisation, and architecture
    Abbey, Eric James
    [J]. POPULAR MUSIC AND SOCIETY, 2007, 30 (05) : 684 - 686