Robert Edwards and the history of Australian rock art research
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作者:
Smith, M. A.
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Flinders Univ South Australia, CHASS, Archaeol, Bedford Pk, SA 5042, Australia
Natl Museum Australia, Canberra, ACT 2601, AustraliaFlinders Univ South Australia, CHASS, Archaeol, Bedford Pk, SA 5042, Australia
Smith, M. A.
[1
,2
]
Ross, J.
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Univ New England, Sch Humanities & Social Sci, Archaeol, Armidale, NSW 2351, AustraliaFlinders Univ South Australia, CHASS, Archaeol, Bedford Pk, SA 5042, Australia
Ross, J.
[3
]
Kimber, R. G.
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POB 2436, Alice Springs, NT 0871, AustraliaFlinders Univ South Australia, CHASS, Archaeol, Bedford Pk, SA 5042, Australia
Kimber, R. G.
[4
]
机构:
[1] Flinders Univ South Australia, CHASS, Archaeol, Bedford Pk, SA 5042, Australia
[2] Natl Museum Australia, Canberra, ACT 2601, Australia
[3] Univ New England, Sch Humanities & Social Sci, Archaeol, Armidale, NSW 2351, Australia
Working in the 1960s, Robert (Bob) Edwards was a key figure in the development of research into Australian rock art. He was one of the first rock art scholars to attempt a quantitative and comparative survey of rock engravings in south and central Australia. In this paper, we examine the development of his work on rock engravings, the intellectual context for his research, and the problems he addressed. Edwards' research took place during a decade when rock art research became more systematic, analytical and quantitative. Although Edwards' research on rock engravings was influential, his subsequent career shows a shift from an antiquarian interest in which he regarded rock art as an archaeological relic of an ancient Australia, to a more humanist perspective, where he began to appreciate that many of the sites that he regarded as ancient were part of a living tradition.