Problematic Translation and Persuasive Listening in Assia Djebar's La femme sans sepulture

被引：0

作者：

Bliss, Greta ^{[1
]}

机构：

[1] Grinnell Coll, Grinnell, IA 50112 USA

来源：

FRENCH REVIEW | 2013年 / 86卷 / 03期

关键词：

D O I：

暂无

中图分类号：

I3/7 [各国文学];

学科分类号：

摘要：

引用

页码：508 / 522

页数：15

共 36 条

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[22] Representations of space in Assia Djebar's La nouba des femmes du Mont Chenoua
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[23] Writing the body in Marlene Amar's La 'Femme sans tete'
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[24] WHITHER THE SIGN: MOHAMMED KHADDA IN ASSIA DJEBAR'S LA NOUBA DES FEMMES DU MONT CHENOUA
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[25] Colonial hospitality; False hosts and ill-mannered guests in Assia Djebar's L' 'Amour, la fantasia'
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[26] Kaidakunna 'adhimoun Revisited: Farida Benlyazid's Ruses de femmes and Assia Djebar's La beaute de Joseph
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[27] The subaltern speaks:: Remaking/her/story in Assia!Djebar's La Nouba des femmes du moat Chenoua
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[28] Common Vulnerability: Community and its Presentation in Assia Djebar's La Nouba des Femmes du Mont Chenoua
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MODERN & CONTEMPORARY FRANCE, 2013, 21 (01) : 73 - 88
[29] Historical representation and the scriptural economy of imperialism: Assia Djebar's L''Amour la fantasia' and Cormac McCarthy's 'Blood Meridian'
Fielder, AV
COMPARATIVE LITERATURE STUDIES, 2000, 37 (01) : 18 - 44
[30] Movement, Education, and Empowerment in Assia Djebar's L'Amour, la fantasia and Nulle part dans la maison de mon pere
Connell, Lisa
CONTEMPORARY WOMENS WRITING, 2013, 7 (03) : 291 - 308

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