Positioning Milhaud's late chamber music: compositional 'full circle'?

被引：1

|

作者：

Mawer, Deborah ^{[1
]}

机构：

[1] Univ Lancaster, Lancaster LA1 4YW, England

来源：

MUSICAL TIMES | 2008年 / 149卷 / 1905期

关键词：

D O I：

10.2307/25434571

中图分类号：

J6 [音乐];

学科分类号：

摘要：

[No abstract available]

引用

收藏

页码：45 / 60

页数：16

相关论文

共 50 条

[21] Compositional models in Xenakis's electroacoustic music
DiScipio, A
PERSPECTIVES OF NEW MUSIC, 1998, 36 (02) : 201 - 243
[22] Compositional reception of Mozart in Schoenberg's music
Schmidt, M
ARCHIV FUR MUSIKWISSENSCHAFT, 1999, 56 (03): : 163 - 197
[23] MUSIC THEATRE IN THE GDR Scenic Chamber Music and Chamber Opera in the 1970s and 1980s
Amzoll, Stefan
NEUE ZEITSCHRIFT FUR MUSIK, 2013, (04): : 92 - 92
[24] 'Schoenberg's chamber music, Schoenberg's world'
Suchy, Irene
OSTERREICHISCHE MUSIKZEITSCHRIFT, 2007, 62 (10): : 48 - 48
[25] CHAMBER-MUSIC IN THE 20TH-CENTURY - CULTURAL AND COMPOSITIONAL CRISIS OF A GENRE
BUJIC, B
BRITISH JOURNAL OF AESTHETICS, 1982, 22 (02): : 115 - 125
[26] Schoenberg's Chamber Music, Schoenberg's World
Simms, Bryan R.
NOTES, 2010, 67 (01) : 134 - 136
[27] Stravinsky's late music
Quinn, P
TEMPO, 2003, 223 : 63 - 64
[28] Music Theatre in GDR. Scenic Chamber Music and Chamber Opera in 1970s and 1980s
Lange, Joachim
OSTERREICHISCHE MUSIKZEITSCHRIFT, 2014, 69 (05): : 105 - 105
[29] Stravinsky's late music
Gritten, A
MUSICAL TIMES, 2002, 143 (1879): : 66 - 73
[30] Stravinsky's late music
Gloag, K
MUSIC & LETTERS, 2003, 84 (01) : 141 - 143

← 1 2 3 4 5 →