Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation

被引：3

作者：

Desainte-Catherine, Myriam ^{[1
]}

Allombert, Antoine ^{[2
]}

Assayag, Gerard ^{[3
]}

机构：

[1] Univ Bordeaux 1, Lab Bordelais Rech Informat, F-33400 Talence, France

[2] Ecole Neuville, F-77650 Chalmaison, France

[3] Inst Rech & Coordinat Acoust Mus, F-75004 Paris, France

来源：

COMPUTER MUSIC JOURNAL | 2013年 / 37卷 / 02期

关键词：

D O I：

10.1162/COMJ_a_00179

中图分类号：

TP39 [计算机的应用];

学科分类号：

081203 ; 0835 ;

摘要：

In this article, we consider the possibility of mixing two main paradigms of electroacoustic music: the writing-oriented and the performance-oriented paradigms. We show that these two opposing paradigms are the consequence of two corresponding conceptions of time. In addition, we assume that the temporal aspects of a performer's interpretation of a musical composition can be linked to both paradigms. Based on this theoretical study, we propose a formalism for composing pieces of electroacoustic music that can be interpreted in performance.

引用

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页码：61 / 72

页数：12

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