Cinema and writers: a survey of the 1930s

In the early thirties, the sound film represents a new birth of cinema. Almost everything is questioned, suspended, left to prophecy. Will sound cinema be filmed theater? Does it make sense to shoot a film in several languages? Should the Spanish accent be the pronunciation of all Hispanic cinema? There is a need to find answers. The article studies one of the initiatives undertaken in this sense by Manuel Villegas Lopez. This is one of the most important film critics in Spain, although he is taking his first steps. Villegas decides to interview some of the most important writers of the moment for Union Radio. He wants the writers' responses to point the way.