Californian, The Third Way

被引:0
|
作者
Kuo, Max
机构
关键词
Piecing Together Los Angeles; Susan Morgan; Esther McCoy; The Mammas & the Papas; Alvin Huang; Synthesis Design plus Architecture (SDA); University of Southern California (USC); Los Angeles; Form-Z; AECOM; Architectural Association (AA); London; Rem Koolhaas; Zaha Hadid; AA Design Research Lab (AADRL); C]Space Pavilion; Alan Dempsey; Bedford Square; Zaha Hadid Architects (ZHA); Future Systems; Amanda Levete Architects (AL_A); Spain; France; Dubai; Beijing; Central Embassy; Bangkok; Neil Leach; 'digital techne'; Durotaxis Chair; Stratysis; Objet; 500; Connex; La Burbuja lamp; The Groove at CentralWorld; Central Group; Bangkok Skytrain; Instagram; Don Enright; The Hakka Performance Center & Terrace Hotel; Yongding; China; Uxmal Art Gallery and Event Space; Arts District Center; AC Martin; Kevin Chen; Los Angeles County Museum of Art (LACMA);
D O I
10.1002/ad.2911
中图分类号
TU [建筑科学];
学科分类号
0813 ;
摘要
There are three ways to be Californian, suggests UCLA lecturer Max Kuo. In determining that Alvin Huang, principal of Synthesis Design + Architecture, is a third-way Californian, he charts his emergence as an architect via his postgraduate studies at the Architectural Association in London and working at the esteemed offices of Zaha Hadid and Amanda Levete, before moving to California to start his own practice and finding China particularly hospitable to his architecture.
引用
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页码:24 / 31
页数:8
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