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Puzzling out graphic codes
被引:0
|作者:
Morin, Olivier
[1
,2
]
机构:
[1] Max Planck Inst Geoanthropol, Minds & Tradit Res Grp, Jena, Germany
[2] PSL Univ, Inst Jean Nicod, CNRS, ENS, Paris, France
关键词:
BLISSYMBOLS;
ACQUISITION;
ICONICITY;
CHILDREN;
SYMBOLS;
ENGLISH;
D O I:
10.1017/S0140525X23002418
中图分类号:
B84 [心理学];
学科分类号:
04 ;
0402 ;
摘要:
This response takes advantage of the diverse and wide-ranging series of commentaries to clarify some aspects of the target article, and flesh out other aspects. My central point is a plea to take graphic codes seriously as codes, rather than as a kind of visual art or as a byproduct of spoken language; only in this way can the puzzle of ideography be identified and solved. In this perspective, I argue that graphic codes do not derive their expressive power from iconicity alone (unlike visual arts), and I clarify the peculiar relationship that ties writing to spoken language. I then discuss three possible solutions to the puzzle of ideography. I argue that a learning account still cannot explain why ideographies fail to evolve, even if we emancipate the learning account from the version that Liberman put forward; I develop my preferred solution, the "standardization account," and contrast it with a third solution suggested by some commentaries, which says that ideographies do not evolve because they would make communication too costly. I consider, by way of conclusion, the consequences of these views for the future evolution of ideography.
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