From the Spirit of Music Dramaturgy and Play in Contemporary German Theatre

被引：0

作者：

Roesner, David ^{[1
,2
,3
,4
]}

机构：

[1] Ludwig Maximilians Univ Munchen, Theatre & Mus Theatre, Munich, Germany

[2] Univ Hildesheim, Hildesheim, Germany

[3] Univ Exeter, Exeter, England

[4] Univ Kent, Canterbury, England

来源：

TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES | 2023年 / 67卷 / 02期

关键词：

D O I：

10.1017/S1054204323000084

中图分类号：

TU242.2 [影院、剧院、音乐厅];

学科分类号：

摘要：

Theatre music has been a key driver of theatrical invention, innovation, and style since 2010 in German theatre and arguably for some years before that. This is evidenced in creative partnerships between individual directors and composers (and sometimes bands), in a strong presence of music in the rehearsal rooms, in musical forms of postdramatic writing, and in forms of acting styles and performance aesthetics where music plays a formative role.

引用

页码：105 / 123

页数：19

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