Pre-existent Music in Film. Soundscapes in the Cinema of Lars von Trier

被引：0

作者：

Hardt, Susanne ^{[1
]}

机构：

[1] Dresden Coll Mus Carl Maria von Weber, Dresden, Germany

来源：

ZEITSCHRIFT DER GESELLSCHAFT FUR MUSIKTHEORIE | 2023年 / 20卷 / 02期

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D O I：

暂无

中图分类号：

J6 [音乐];

学科分类号：

摘要：

引用

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页码：125 / 128

页数：4

共 39 条

[31] Lars von Trier, Bayreuth and The 'Ring' (The Danish film director stages Wagner's tetralogy in 2006)
Rockwell, J
OPERA, 2002, 53 (01): : 30 - 34
[32] Antichrist-Chaos Reigns: the event of violence and the haptic image in Lars von Trier's film
Thomsen, Bodil Marie Stavning
JOURNAL OF AESTHETICS & CULTURE, 2009, 1 (01):
[33] The trauma debate: Just looking? Traumatic affect, film form and spectatorship in the work of Lars von Trier
Bainbridge, C
SCREEN, 2004, 45 (04) : 391 - 400
[34] The new expressionism: Why the bells ring in 'Breaking the Waves' (Understanding Lars von Trier's film)
Nelson, V
SALMAGUNDI-A QUARTERLY OF THE HUMANITIES AND SOCIAL SCIENCES, 1997, (116-17): : 228 - 237
[35] Towards Ecological Thinking Through Modal Changes: Weird Media Transformation in Lars von Trier's Film Melancholia
Kurr, Silvia
EKPHRASIS-IMAGES CINEMA THEORY MEDIA, 2023, 29 (01): : 12 - 24
[36] LONG LIVE EUROPE + THE EUROPEAN MARGINAL FILM TODAY - TRIER,LARS,VON, GODARD,JEAN,LUC AND RUIZ,RAOUL
MESNIL, M
ESPRIT, 1995, (10) : 5 - 15
[37] Loveless apathy: Sade's erotica and parodic excess in Lars von Trier's film Nymph()maniac 2014 (Directors Cut)
Krisjansen, Ivan
STUDIES IN EUROPEAN CINEMA, 2021, 18 (01) : 37 - 59
[38] Eyes, Sight and the Senses on Film and in Fashion: Crossmodal Correspondences and Sensorial Empathy between Lars von Trier's Dancer in the Dark (2000) and Johan Ku's "Selma" Collection S/S (2014)
Hunt, Kevin J.
FASHION THEORY-THE JOURNAL OF DRESS BODY & CULTURE, 2018, 22 (01): : 31 - 67
[39] Rushes - News, opinion, gossip and the goods (Gus Van Sant's 'Psycho'; Thai hitch in production of The 'Beach', with Leonardo DiCaprio and Tilda Swinton; pre-Cannes expectations; Lars von Trier's new project; reworking foreign hits)
不详
SIGHT AND SOUND, 1999, 9 (01): : 6 - 7

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