Introduction: Political Ecologies of Paper in Early Modern Art, 1500-1800

This special issue examines paper as it became the definitive material for both artistic practice and jurisprudence. European paper made from pulped rags and linens to create the mythic white empty grounds for design was foundational to early modern European ideas about both sovereignty and the creative act. The materiality of paper-as a surface created from refuse-also introduced a form of ecological thinking into both artistic practice and political theory that recognised the value and revolutionary potential of the material world to create from the detritus of failed projects and revolutions. Surveying artistic production across the European continent and into the Ottoman empire, this series of essays examines paper as both a material force that redefined the limits of the creative act while also being inseparable from the consolidation of new political regimes emerging from the rise of early modern colonialism. Paper was both the tool of dispossession and also the grounds on which the potential of artistic practice was reimagined.