Human perception of art in the age of artificial intelligence

被引:0
|
作者
van Hees, Jules [1 ]
Grootswagers, Tijl [1 ,2 ]
Quek, Genevieve L. [1 ]
Varlet, Manuel [1 ,3 ]
机构
[1] Western Sydney Univ, MARCS Inst Brain Behav & Dev, Penrith, NSW, Australia
[2] Western Sydney Univ, Sch Comp Data & Math Sci, Penrith, NSW, Australia
[3] Western Sydney Univ, Sch Psychol, Penrith, NSW, Australia
来源
FRONTIERS IN PSYCHOLOGY | 2025年 / 15卷
基金
澳大利亚研究理事会;
关键词
visual perception; generative AI; DALL<middle dot>E; artworks; appreciation; discrimination;
D O I
10.3389/fpsyg.2024.1497469
中图分类号
B84 [心理学];
学科分类号
04 ; 0402 ;
摘要
Recent advancement in Artificial Intelligence (AI) has rendered image-synthesis models capable of producing complex artworks that appear nearly indistinguishable from human-made works. Here we present a quantitative assessment of human perception and preference for art generated by OpenAI's DALL<middle dot>E 2, a leading AI tool for art creation. Participants were presented with pairs of artworks, one human-made and one AI-generated, in either a preference-choice task or an origin-discrimination task. Results revealed a significant preference for AI-generated artworks. At the same time, a separate group of participants were above-chance at detecting which artwork within the pair was generated by AI, indicating a perceptible distinction between human and artificial creative works. These results raise questions about how a shift in art preference to favour synthetic creations might impact the way we think about art and its value to human society, prompting reflections on authorship, authenticity, and human creativity in the era of generative AI.
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页数:8
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