'THE CHIEF PRESERVERS OF BALLAD POETRY': REVISITING THE BALLAD TRADITIONS OF SCOTTISH WOMEN

The eighteenth century saw an increasing interest in oral narrative ballad poetry, whose perceived decline prompted major efforts among antiquarians and collectors to find and preserve all that remained of the old popular songs. Women, long associated with oral tradition, were seen as the preservers of ballad poetry, transmitting their songs orally across generations. Yet while male collectors acknowledged female singers' contributions, they obscured the broader realities of women's engagement with print ballad culture. This article revisits the ballad traditions of Scottish women, exploring how the male-dominated scholarly discourse of the era shaped perceptions of women's involvement in ballad culture. While collectors emphasised the role of female singers as preservers of purely oral tradition, they downplayed women's broader engagement with ballads as printed literature, including their participation in the commercial broadside industry as sellers and consumers. This study reveals a more nuanced picture of women's involvement in balladry, challenging traditional narratives that align women singers exclusively with oral ballad tradition. By acknowledging the diverse ways in which women participated in ballad culture, this research sheds light on the complexities of gender dynamics within the ballad tradition, highlighting the need for a re-evaluation of women's reception and transmission of ballads historically.